Which eventually led to you coming up with a technique that’s pretty much paved the way for all the D.J.’s and turntablists to come. What did you feel like the first time you were able to make it work? When I first did it, I called up Disco B and EZ Mike, and I was like, “Listen, I got something, I got something.” And when they came down, they were like “What the fuck is this?” And I was like, “Watch what I’m doing, ya’ll, please watch what I’m doing.” But they just could not grasp it. I went on to doing it in different parks. I figured if I was playing the hardest, best part of these different genres of music I would have people on the ceiling, but people were just like “What the fuck are you doing?” I went home and I cried, cried, cried, cried. Nobody got it! I tried to go to different clubs, get on for five or ten minutes, and I heard excuses like “My boss will fire me, I hear you ruin records, I can’t let you touch my stuff.” It was just ridicule after ridicule after ridicule. I was a geek for a long time. [Laughs.]
One of the most interesting things, is the mainstream use of BitTorrent as a distribution method (for all but the MP3 version). We really are entering into uncharted waters, both with distribution and revenue models. Despite other artists doing similar things, we’re seeing lots of permutations on the “free music” model lately.
Why all this legitimate free music all of a sudden, though? Do the concerts really make the artists that much money? Or, is it all just a fad (like Radiohead reported earlier this month? I really hope not. The retail store is on its way out of the music selling business - unless we start seeing digital kiosks real soon.
I hope that artists learn to make this digital world work for them, by charging for high quality versions and letting the fans decide what it’s worth. NIN isn’t accepting any money for “The Slip.” If I wanted to give them money, I couldn’t. That’s unfortunate.
I’m counting on mankind and music lovers around the world to be honest with themselves and the artists they like to hear. Call me an optimist. So, instead of buying another beer next weekend, and murdering your liver, go download GHOSTS I-IV, and pay for it, it’s worth it. Even if it is a wild foray into a very unique genre.
Brilliantly cool idea. It’s really simple and fun. The one thing missing is the ability to do an automated upload (API) or mass uploads (a flash uploader would be rad, like what wordpress is doing
Trent Reznor is inviting people to contribute visuals to audio from his latest release, Ghosts. These are a few contributions I came up with today using some reclaimed footage.
Only really unfortunate thing is that it the videos need to be published to You Tube. Here and Here are links to versions of them in much better quality.
I am a very busy and important man. I don’t need to tell you this. The shit I have to deal with every day would make your pubes turn white. Check it: While dictating that last sentence I did something complicated in Excel and pleasured my ex-wife the way that makes her cry and call her mother. OK?
